In this study, which presents a proposition based on the intuition of audible sound materials to phenomena

seen in response to all kinds of objects, beings, qualities and events; while based on the assumption that the

external world-which human beings directly experience and perceive through sense organs-is meaningful

with our consciousness, the phenomenon of music is examined in terms of phenomenology evaluated from a

factual descriptive-perceptual perspective.

Recently, studies on sound substances with their phenomenological connection emerge as an important

discipline in terms of the nature of music and the ontology of the musical object. Phenomenology is one of

the dominant philosophies of our century with its different perspective in the analysis of researches.

Questioning and research-oriented phenomenological approaches on phenomena can create a direct

reference in music analyses by revealing a philosophical understanding that aims to describe things and

objects.

The main reason for handling the music phenomenon in the context of ontology and phenomenological

framework is the relationship between the subjectivity, perception, structure and meaning of music. In this

study, which is trying to find answers with the language of music, the philosophical status of the music

phenomenon is interpreted within a phenomenological perspective.

Keywords: Phenomenology, Phenomenon, Musical Element.