Caves are defined in the geology discipline as underground spaces that are large enough for at least one person to enter. However, they have always had much more meaning for humans. Throughout history, these places have been used for shelter, shelter, and nests, and moreover, they have functioned as the most productive dream areas without interruption. Many of the village (neighborhood) settlements in the Levent Valley geopark area in the Akçadağ district of Malatya province are located right next to these dream areas. Therefore, the mental relationship of the people living in this valley for centuries has continued uninterruptedly with the caves in one way or another. On the one hand, the villagers still use some of these caves as homes and some to store food for themselves and the animals they feed. It is possible to see concrete traces of many civilizations since the Paleolithic in and around the caves. When the cultural heritage traces of the Roman, Seljuk and Ottoman periods are considered together with the life that still continues, it can be said that this place has hosted human existence without interruption for thousands of years. In our interviews with the people living here, it is possible to conclude that they have a collective cave memory. Apart from physical ties, it should also be noted that there are cave legends that are widely known in the community. Although these legends are generally similar to Anatolian folk legends, it is quite remarkable that these legends are related to caves. It is seen that the close ties established between caves and dreams throughout human history continue in the Levent Valley. The aim of this study is to produce artistic productions within the possibilities of contemporary art based on these folk legends and to try to introduce the Levent Valley caves as a dream area to the whole world as contemporary art venues. In addition, to contribute to the project carried out to include the Levent Valley in the UNESCO global geopark network as academicians from the art discipline and to pioneer the use of the field of art to develop new aesthetic sensitivities, especially within geoparks where human life continues. When we consider that the relationship between geology and art has been a relationship since the beginning of art, the importance of this initiative increases even more. The rich cultural indicators of life continuing in the Levent Valley create an extremely suitable dream bed for contemporary artists who create art. The intellectual content of the works of art we produce here within the scope of this study is nourished by this extraordinary dream bed. It is also possible to say that Levent Valley is a very suitable ground for contemporary art. The fact that the rocky areas that are geomorphologically horizontally surfaced have a very aesthetic and unique appearance is one of the main features that make the valley attractive. In this area, which is extremely rich in terms of geo-aesthetic values, artistic actions were planned where new and strong connections could be established between geology and art. Especially the installations designed inside and outside the caves were considered as creative traces of the human mind in the face of the sublimity and spontaneity of nature, just like in the Upper Paleolithic Age, when we accept that art began. The reason why these works were carried out in caves that are closest to humans in geological formations, instead of any earth element, unlike the predecessors such as Land art and land art that have been applied since the 1960s, is to try to relive a mental process similar to the artists in the Upper Paleolithic. After the art productions, it was concluded that caves are very effective areas for dreaming and creating images even in the 21st century. It is expected that these artistic productions will make significant contributions to the ongoing Levent Valley Geopark project in terms of updating and documenting the relationship between human geology and geology-art.