Almost every subject that is human or touches human life has found a place for itself in classical Turkish poetry, which ruled for about six centuries. However, these issues came to the fore after they were handled in the poet's imagination within the framework of classical poetry poetics or mystical symbolism. The phenomenon of migration also appears as both a subject and a metaphor in this poem. The social, political and historical aspects of migration are mostly handled in genres such as epics and legends. In some poetic siyer-i Nebi's and masnavis, the incident of migration has been handled based on narrative (tahkiye) and relatively in harmony with historical data. The concept of "migration", which emerges in the context of the lover-beloved relationship in general in classical poetry, especially in the type of ghazal, is also in the position of the mushabbahun bih (which is likened to itself) of "death". This concept; along with caravan, wrapped food for travels, ceres (caravan bell, bell, rattle), migration drum (kûs-ı rahîl), bandit, camel etc. By bringing many different words to the mind of the poet, it was used as a metaphor rather than a simple simile, and as a result, the fact of "death", which everyone knows and is inevitable, was expressed in a more artistic and literary way. In the study, the metaphor of migration was handled together with this rich usage and connotation field and the examples were tried to be analyzed in detail in terms of content and style.